My work as an artist is to incite communion through performance-based practices and dialogues. I explore the implications of geologic movement, urban infrastructure, and collaborative assembly through embodied practice. I emphasize process and principles of emergence by dwelling in the edge-spaces between improvised and composed material, and individual and ensemble motivations. The dances I make are site-responsive mediations that center embodied knowledge as the primary organizational tool. My inspiration is derived from interactions with the more-than-human world. I desire that my creative practice be one that is regenerative to its environment and is an invocation to other’s creativity. The work is about creating invitations.

My work as an artist is to incite communion through performance-based practices and dialogues. I explore the implications of geologic movement, urban infrastructure, and collaborative assembly through embodied practice. I emphasize process and principles of emergence by dwelling in the edge-spaces between improvised and composed material, and individual and ensemble motivations. The dances I make are site-responsive mediations that center embodied knowledge as the primary organizational tool. My inspiration is derived from interactions with the more-than-human world. I desire that my creative practice be one that is regenerative to its environment and is an invocation to other’s creativity. The work is about creating invitations.